Sound Devices 664 Field Mixer

Sound Devices 664 Field Mixer

  • Pinknoise Systems stock only the very best branded audio equipment in the business
  • Hundreds of products at great prices across a massive range of audio categories
  • Order before 4.00pm, Monday to Thursday, for next day delivery (UK only)
  • We also ship across Europe and worldwide at competitive prices
  • More Details...

Model:  SD-664
Part Number:  664
Manufacturer:  Sound Devices

£5,118.00
(£4,265.00 Exc. VAT)
+

Availability:  

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Sound Devices 664 Field Mixer

The 664 has six ultra-low noise, high-dynamic-range analog inputs. These transformer-less preamps accept mic or line-level signals, and include analog peak limiters, high-pass filters, input trim controls, and direct outputs. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals

Output Flexibility

In complex, multi-camera productions, output flexibility is essential. The 664 can send its main left/right outputs to three cameras simultaneously. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors.

Recording

The 664 can record each of its inputs and its four output buses, for 10 record tracks. Recordings are saved to CompactFlash and SD cards. Recordings are either 16- or 24-bit Broadcast WAV files with extensive metadata. All popular production sampling rates are supported. When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses.

Integrated Time Code

With the mixer's built-in, rock-steady Ambient time code generator, multiple devices can operate in synchronization. The 664 operates as either a time code master clock or its clock can be jammed from external time code. A helpful time code compare utility shows the difference between internal and external time code.

Ease-of-Use

The 664 was designed with knowledge gained from the industry's top engineers and from Sound Devices' expertise in portable mixers. Because sound engineers operate in fast-paced environments, important controls are on dedicated knobs and switches, while additional features are quickly accessed through the intuitive LCD-based menu control.

Key Features

  • Six high-bandwidth, low noise microphone preamplifiers with phantom, limiters, high-pass, pan, and direct outputs per channel
  • Four output buses, Left, Right and Aux 1, Aux 2; transformer-balanced for freedom from ground loops; multiple output connectors, including dual multi-pin
  • Built-in production recorder, records all inputs and output buses: 10 tracks total. With CL-6 attached: 16 tracks total.
  • Broadcast WAV recording to dual memory card slots, CF and SD
  • Record different track combinations and to each card type
  • High-precision, Ambient Recording-based time code generator/reader with auto-recharging of internal TC battery
  • Time code compare tool to measure offset from internal and external time code
  • Quick, intuitive interface via sunlight readable, transflective LCD menu control
  • Main controls on dedicated knobs and switches
  • Two AES42/AES3 digital inputs (input connectors 1 and 6)
  • AES3 output selection, up to eight channels of AES out (XLR, multi-pin)
  • Expanded return monitoring capabilities, with three camera returns
  • Dedicated communication circuit (PL)
  • Built-in slate microphone and external slate microphone input connector
  • Powered by AA-battery x5 or isolated (floating) external DC, 10-18V
  • Metalized, gasketed carbon-fiber chassis panels for light weight and durability
 
 

“ Superb build quality, fully featured, recording to CF and SD Card, 6 track iso, stereo bus recording & timecode capable. The controls are extremely solid and robust. Add the CL6 expander module to make a very capable high end production audio set up. The new style audio preamp design make this unit one of the very best sounding audio mixers and recorders. ” - Pinknoise Systems.

Sound Devices 664 - Now shipping - Call for current stock

Stonking Multitrack Mixer/recorder, Cutting Edge state of the art for Film and TV Production.

Specifications

 
Frequency Response 20 Hz to 50 kHz, ± 0.5 dB
THD + Noise 0.09% max (50 kHz, +18 dBu at line out, fade fully up)
Equivalent Input Noise -126 dBu (-128 dBV) maximum. (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up)
Inputs XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
XLR AES: AES3 or AES42 (10 V power), SRC
XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
TA3 Line (7-12): active-balanced for use with ≤2k ohm outputs, 10k ohm actual
RTN A,B,C (3.5 mm/10-pin): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual
Maximum Input Level XLR Mic: 0 dBu (0.78 Vrms)
XLR Line: +40 dBu (80 Vrms)
RTN A,B,C (3.5 mm/Multi-pin): +24 dBu (12.4 Vrms)
High-Pass Filters Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
Input Limiters Individual limiters on both trim and fader stages, +16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time
Link I/O Unbalanced stereo for linking to MixPre, 302, 442, 552, and 664; 2k ohm impedance
Maximum Gain Mic-In-to-Line-Out: 93 dB
Mic-In-to-Aux-Out, -10 Out: 79 dB
Line-In-to-Line-Out: 39 dB
Output Type Line: transformer-balanced for use with >=600 ohm inputs, 100 ohms
-10: transformer-balanced for use with >=10k ohm inputs, 3.2k ohm
Mic: transformer-balanced for use with >=600 ohm inputs, 150 ohms
TA3 Mic/Line: active-balanced, pin-2 and 3 driven, for use with >=3k ohm inputs, 1k ohm
TA3 Direct Outs Mic/Line: active-balanced, pin-2 and 3 driven, use with >=3k ohm inputs, 1k ohm
Tape Outs (3.5 mm and TA3-type): unbalanced, stereo, use with >=6k ohm input, 1.8k ohm actual
Headphones (3.5 mm and 1/4"): unbalanced, stereo, use with 8-2k ohm headphones, 50 ohms
Line Output Clipping Level (1% THD) 20 dBu minimum with 10k load
Maximum Output Level Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 V rms)
Mic: -20 dBu (0.078 Vrms)
Tape Outs: +6 dBu (1.5 Vrms)
Output Limiters Affects analog output. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.
Recording Tracks 16 tracks (12 inputs, 4 output buses), monophonic or polyphonic Broadcast WAV or timecode-stamped MP3
A/D 24-bit, 114 dB, A-weighted dynamic range typical; 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz SR
Digital Outputs AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110 ohm, 2 V p-p, AES and S/PDIF compatible
Recording Storage Type SDHC, SD, SDXC - exFAT for cards >32 GB, FAT32 for <32 GB; CompactFlash (CF) FAT32, will format memory cards in unit
Sample/Timecode Accuracy ± 0.2 ppm (0.5 frames per 24 hours)
Timecode and Sync Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
Accuracy: Ambient generator, 0.5 frame in 24 hr
Time Code Input: 20k ohm impedance, 0.3 V - 3.0 V p-p (-17 dBu - +3 dBu)
Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Word In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 3.3V p-p output, at SR
Power External: isolated 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
Internal: accepts five (5) NiMH, 1.5V Lithium, or Alkaline AA batteries. Note that run time will be very limited when using Alkaline batteries (30 minutes to one hour depending on settings). NiMH or Lithium batteries are the preferred type because of the approximate 2x to 4x run time compared to Alkalines.
Environmental Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing) Storage: -40°C to 85°C
Dimensions and Weight Dimensions: 5.3 cm x 32 cm x 19.8 cm (H x W x D) 2.1" x 12.6" x 7.8"
Weight: 4 lbs. 12 oz. (unpackaged, without batteries)

Delivery Services

At Pinknoise Systems we like to offer our customers a wide choice of delivery options for their orders, and our prices are affordable and competitive. We also use only the best, most reliable couriers and delivery services to get your equipment where it needs to be - quickly and securely. Please find an outline of our services, prices and timescales below.

Service Timescale Price
UK Mainland Royal Mail Small Parcel 2-4 Days £3.99
UK Offshore Royal Mail 2-4 Days £9.99
UK Standard Courier 2-4 Days £6.49
UK Express Courier Next Day £7.99
International Shipping From 1-8 Days (Full Details) From £15.00

Delivery Times

Delivery times are based on when the packages leaves our premises. Sometimes, due to stock restrictions or a non completed order, delivery may take longer as there is a delay with dispatch. We will always notify customers of any issues and problems via email or telephone. If your order is urgent or details change please do let us know.

For full details, fees, and time schedules, please see our Delivery Information page.

Returns & Refunds

New items: You can return goods you have ordered from us for any reason, at any time within 7 working days of receipt, for a full refund or for an exchange for a different product from our range. The cost of returning goods to us shall be borne by you, the customer, in all circumstances without exception.

Items must be packed suitably and insured for full loss in the event of a delivery problem. Pinknoise Systems will not be responsible for lost or damaged return goods. Lost or damaged goods may effect the level of refund you receive.

Used items: Please note this does not apply to used item unless they are deemed faulty.

For full details of our returns policy, please click here.

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