£8.00 - Thin foam covering for a CCM compact microphone or a Colette capsule
- Especially suitable for protecting a capsule from rosin dust
- When attached to a string instrument
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£12.00 - For moderate distances from the person speaking
- Can also be used as a windscreen for pressure transducers
- Negligible effect on sound quality
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£84.00 - The B 55 D is a double version of the B 5 D
- For use on pressure-gradient transducers in light wind and as a close-speech guard
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£42.00 - Protect your microphone from light-wind
- Also works as a close-speech guard
- Only slight influence on the sound
- Made from foam but hollow in the middle
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£999.00 - Pressure transducer with hemispherical pattern
- Active miniature version of the BLM 3
- Unobtrusive, universally applicable
- Applications: on speaker's podiums, altars, ambient sound or orchestras
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£999.00 - Microphone capsule designed for placement at an acoustic boundary layer
- Highly uniform hemispheric directional pattern independent of frequency
- Excellent reproduction of low frequencies
- Often preferred for orchestral recording
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£1,470.00 - Single-diaphragm transducers, as these omnidirectional microphones and capsules are
- Optimal due to their excellent reproduction of low frequencies and low noise
- There are different 4 omnidirectional compact microphones
- Each with their own individual characteristics suited to different environments
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£1,470.00 - Wide cardioid with especially consistent directionality throughout its frequency range
- Pleasant sound image, often described as “warm”
- Often preferred for use as a spot microphone, or as the main pair for overall stereo pickup
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£1,470.00 - New kind of directional pattern: “Open Cardioid”
- Combination of cardioid directionality (MK 4) with the sonic character of the wide cardioid (MK 21)
- Directional pattern largely constant throughout the frequency range
- Often preferred for spot miking and as a soloist’s microphone
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£1,470.00 - The cardioid is the most popular type of directional microphone
- The highest level of audio quality with optimal suppression of rear-incident sound
- Schoeps cardioids have a directional pattern that remains the same at all frequencies
- They are used for speaking voices as well as for instruments and vocal soloists
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£1,470.00 - Supercardioid with highly consistent directionality throughout its frequency range
- Perfect for music and speech applications
- High directivity, comparable to that of a short “shotgun“ up through midrange frequencies
- Often preferred for use in film sound recording and as a spot microphone in orchestras
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£1,470.00 - Supercardioid with especially consistent directionality throughout its frequency range
- “Vertical” (side-addressed) supercardioid capsule
- For a very wide range of recording applications
- High directivity, comparable to that of a short “shotgun“ up through midrange frequencies
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£1,470.00 - The MK 4V was created for a cardioid with its main axis along the side
- Excellent for speech, since its slight emphasis around 10 kHz improves intelligibility
- The directionality is well maintained even at higher frequencies
- The MK 4V still sounds brigher than the MK 4, because of its overall frequency response
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£1,755.00 - Omni and cardioid patterns, mechanically switchable
- Slight emphasis of the high frequencies. Broad range of applications
- In the cardioid setting: for use with singing or speaking voices or most instruments
- As a spot microphone, and for stereo recording with coincident, ORTF or M/S arrangements
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£1,692.00 - Pure pressure-gradient transducer
- Figure-8 pattern with near-ideal consistency across the frequency range
- Side-addressed (pickup perpendicular to the microphone body)
- Optimal for use in M/S and Blumlein stereo recording
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£885.00 - The CMC 5 Ug is designed exclusively for 48-Volt phantom powering.
- This amplifier requires any of the twenty-one available types of capsules
- Offers balanced, low impedance, low distortion, and high freedom from interference
- Provides an electrostatic charge which the capsule requires in order to produce a signal
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£642.00 - Flat frequency response. Extremely low noise and distortion
- Balanced, very low-impedance output. Well-protected against RFI
- Can be used with very long cables
- For use with 12- or 48-Volt phantom powering
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£1,518.00 - Includes Schoeps CMC 6 Ug, Schoeps MK 41 and Cinela Osix 2
- Flat frequency response. Extremely low noise and distortion
- Supercardioid with highly consistent directionality throughout its frequency range
- High directivity, comparable to that of a short “shotgun“ up through midrange frequencies
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£2,619.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£3,198.00 - Schoeps now offers pairs of our best-selling ”Colette”-series microphones in sets
- Each wooden case contains two microphones with selected, matched capsules,
- SG 20 stand adapters, B 5 D windscreens and in most cases; CMC 6 analog microphone amplifiers
- Each stand adapter that holds the microphone is made of soft plastic, while the base is metal
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£729.00 - Complete alternate to the renowned CMC6
- Fully compatible with all existing MK capsules and Colette
- Suitable mounting accessories are already available
- One-third the size and 40% lighter than CMC 6
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£1,350.00 - Includes: Schoeps CMC 6 Ug Microphone Amplifier
- Schoeps MK 41 Supercardioid Capsule
- Rycote InVision 7HG MKIII Microphone Shock Mount
- Schoeps B5D Foam Windshield
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£1,860.00 - Unusually low coloration of off-axis sound
- Suitable for music recording as well as dialogue
- Rotationally symmetrical polar pattern
- Even greater immunity to wind noise than a Schoeps supercardoid
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£216.00 - Allows the angle of a capsule to be adjusted on the microphone amplifiers
- Adjustable from 0° through 120°in either direction
- The electrically passive GVC capsule may be inserted between the capsule & mic amp
- Or before an Active Cable, Active Extension Tube, or the CUT 1
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£129.00 - This sphere accessory (40 mm diameter) is for use with omnidirectional microphones
- Creates the illusion of closer placement so that greater miking distances can be used
- The effect is due mainly to the elevated midrange response
- The low-frequency response remains undiminished
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