Cable Adapters

• 5 Different connectors available
• Easy to use and swap out Micon system
• Made by Active Audio / Da Cappo

• The BETSO Lemo-Jack Adaptor is a unique solution
• connecting microphones with miniature LEMO 3pin connectors to standard 1/8" jack inputs
• Enjoy connecting your mics to Sennheiser EW G3 (G1/G2 also supported) Audio Ltd. En2, etc. wireless systems

• Microdot Adapters for Deity W.Lav Microphones
• For use with various inputs jacks
• Available for 3.5mm / TA4F / TA5F
• Select drop down below for variants

Power-con (M) - breakout adapter - 4x HRS (F) is the perfect solution to have 4x Hirose outputs coming from a single-power-con input.

• Hirose to USB iPhone/iPad Charge Adapter - 5v Regulated - 15cm
• Ideal as a charge adapter for iPhones/iPads
• 5v Regulated. 15cm cable length
• Hirose 4 pin Male. 2A

• Designed for the DR-10CS
• 3.5mm locking connector
• Connection Choice of 3-pin Lemo or TA5

• G4 Locking Input
• Short 15cm Cable
• Cable Converter for Lavalier Microphones
• Select Connection from drop down menu

• Used to convert a 3.5mm mini-jack socket to an XLR plug of your choice
• Very high quality Pinknoise custom mini-jack socket to XLR adaptor barrel
• Available in 4 different variations to suit your application
• Mono: 3-Pin XLR Male or Female. Stereo: 5-Pin XLR Male or Female

• This is a Jack Cable Adapter for Sennheiser microphones
• 3.5mm Sennheiser Locking Socket to a Standard 3.5mm Jack (Right Angle)
• Perfect for using a Sennheiser Lav mic to any portable recorder or DSLR Camera
• The Cable is 15cm in length

This custom cable is designed to replicate the Rode SC4. It's purpose is to allow microphones with a 3.5mm output to connect to TRRS smartphones & tablets

• Various options available to suit your requirements
• High quality connectors in an easy-to-use and compact form factor
• These adapters can either be used to extend a cable
• Or crossing between cable sockets to something more convenient

The Pinknoise headphone splitter is designed to attenuate the signal from line level or similar (on the headphone output of the recorder, typically Zoom H4n or H5) to mic level (for input to camera), whilst maintaining the ability to monitor the recording.