What's in the Box?
2 x CMC6U Analogue Microphone Amplifier
2 x MK4 Cardioid Matched Pair
2 x SG20 Stand Adapters
2 x B5D Windscreens
1 x Wood Storage Box
Schoeps CMC 64 Stereo Set w/ 2x CMC6 Preamps & 2x MK 4 Capsules
SCHOEPS now offers pairs of our best-selling ”Colette”-series microphones in sets. Each wooden case contains two complete microphones with selected, matched capsules, SG 20 stand adapters, B 5 D windscreens and in most cases, CMC 6 analog microphone amplifiers.
The part of each stand adapter that holds the microphone is made of soft plastic, while the base is metal. The foam windscreens have an inner construction which makes them considerably more effective than typical windscreens of their size, while their surface treatment lends them a ”high-class” appearance.
Schoeps CMC 6 Ug Microphone Amplifier
The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.
The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.
- Flat frequency response
- Extremely low noise and distortion
- Balanced, very low-impedance output
- Can be used with very long cables
- Well-protected against RFI
- For use with 12- or 48-Volt phantom powering
Schoeps MK 4 Cardioid Capsule
The MK 4 is our best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room.
For those who dare to use their ears rather than just their eyes when choosing a vocal microphone, a Colette microphone using the MK 4 capsule can be a remarkable instrument.
- Classic cardioid
- Suitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M/S microphone arrangements
- With consistent directionality throughout its frequency range
- Often preferred for singing or speaking voices and most instruments